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9. Guercino and Judith Leyster, Part I

 

     1. The Shugborough Monument
     2. The Count of St. Germain
     3. Rosicrucianism, the Philosopher’s Stone, and Atlantis
     4. King Louis XIII, Cardinal Richelieu, and the Ferro’s Meridian
     5. Nicolas Poussin and “The Shepherds of Arcadia”
     6. Berenger Sauniere and the Mysterious Parchments
     7. David Teniers II and “The Temptation of St. Anthony”
     8. The Solution to the Shugborough Code and St. Anthony’s Cross, Part I
     8. The Solution to the Shugborough Code and St. Anthony’s Cross, Part II
     9. Guercino and Judith Leyster, Part I
     9. Guercino and Judith Leyster, Part II
    10. The Four Paintings that Point to Four Sacred Sites, Part I
    10. The Four Paintings that Point to Four Sacred Sites, Part II
    11. The First Proof that my Solution is Correct!
    12. Using Reversed Imagery to Locate the Cave of Marsyas
    13. The Location of the Holy Grail! Part I
    13. The Location of the Holy Grail! Part II

Giovanni Francesco Barbieri, best known as Guercino or Il Guercino

The third painter, representing the third male shepherd featured in the Shugborough relief sculpture, was Guercino.

Giovanni Francesco Barbieri (1591 – 1666), best known as Guercino or Il Guercino, was an Italian Baroque painter active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed.

He painted two large canvases, "Elijah Fed by Ravens" and "Samson Seized by Philistines", in what appears to be a stark naturalist Caravaggesque style (a style popularized by the Italian artist Michelangelo Merisi da Caravaggio).

The first pictorial representation of the familiar memorial inscription “ET IN ARCADIA EGO” is Guercino's version of "The Shepherds of Arcadia", painted between 1618 and 1622. The inscription gains force from the prominent presence of a skull in the foreground, beneath which the words are carved.

"The Shepherds of Arcadia", 1618, Guercino

Poussin's own first version of the painting in 1627 was probably commissioned as a reworking of Guercino's version.

Contemprorary with Guercino’s version of “The Shepherds of Arcadia” was his painting “The Flaying of Marsyas by Apollo” (1618-1622), in which the same group of shepherds is present.

"The Shepherds of Arcadia" , Poussin (left) and "The Flaying of Marsyas by Apollo", Guercino (right)

 

 
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