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12. Using Reversed Imagery to Locate the Cave of Marsyas

 

     1. The Shugborough Monument
     2. The Count of St. Germain
     3. Rosicrucianism, the Philosopher’s Stone, and Atlantis
     4. King Louis XIII, Cardinal Richelieu, and the Ferro’s Meridian
     5. Nicolas Poussin and “The Shepherds of Arcadia”
     6. Berenger Sauniere and the Mysterious Parchments
     7. David Teniers II and “The Temptation of St. Anthony”
     8. The Solution to the Shugborough Code and St. Anthony’s Cross, Part I
     8. The Solution to the Shugborough Code and St. Anthony’s Cross, Part II
     9. Guercino and Judith Leyster, Part I
     9. Guercino and Judith Leyster, Part II
    10. The Four Paintings that Point to Four Sacred Sites, Part I
    10. The Four Paintings that Point to Four Sacred Sites, Part II
    11. The First Proof that my Solution is Correct!
    12. Using Reversed Imagery to Locate the Cave of Marsyas
    13. The Location of the Holy Grail! Part I
    13. The Location of the Holy Grail! Part II

Guercino’s painting, “The Flaying of Marsyas by Apollo” (1618-1622), depicts the cruel fate suffered by the Arcadian god Marsyas when he challenged Apollo in a musical competition, and lost.

“The Flaying of Marsyas by Apollo”Marsyas was skinned alive in a cave near Celaenae, Turkey for his hubris to challenge a god. Apollo then nailed Marsyas' skin to a pine tree, near Lake Aulocrene (the Turkish Karakuyu Gölü).

The Greek god Pan is the other name of Marsyas. Remember that there are two stone heads in the Shugborough relief sculpture, one of which bears a strong likeness to the goat-horned Pan. This confirms my claim that there is a connection between Guercino’s painting and that of Poussin’s.

Using the two intersecting lines obtained by connecting the Madara Rider with the Hagia Sophia, and Atlantis with the Hagia Sophia as my image, I projected its horizontally reversed image using the line connecting Atlantis and the Hagia Sophia as my vertical axis. The result gave me the position of where the cave of Marsyas ought to be (38.882°N, 30.994°E), and these coordinates point to the Northern border of Bolvadin, Turkey.

The red X marks the spot where the cave of Marsyas ought to be according to my calculations.

Keep in mind that our original image is not perfectly perpendicular, having an excess of 2.4° from the ideal 90° angle between the intersecting lines. This error will cause some minor displacement of where the cave of Marsyas ought to be located.

There is a city named Apamea (38° 4′ 18″ N, 30° 9′ 56″ E) which is partly occupied by Dinar and where according to Strabo the source of the Marsyas river lies.

According to Xenophon, the source of the Marsyas River is near a cave where Apollo flayed Marsyas and where his skin was hung:

"The great king also has a palace in Celaenae, a strong place, on the sources of another river, the Marsyas, at the foot of the acropolis. This river also flows through the city, discharging itself into the Maeander, and is five-and-twenty feet broad. Here is the place where Apollo is said to have flayed Marsyas, when he had conquered him in the contest of skill. He hung up the skin of the conquered man, in the cavern where the spring wells forth and hence the name of the river, Marsyas." Xenophon Anabasis

The black X is where according to mythology, the cave of Marsyas is located!

This cave according to another legend is near Lake Aulocrene, or the Turkish Karakuyu Gölü (38° 4′ 30”N, 30° 16′ 27”E).

A close up Google map of Dinar showing Karakuyu Golu or Lake Aulocrene

 

Sources:

http://www.mlahanas.de/Greeks/Mythology/Marsyas.html

 

 
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